MPAC 126
970.248.1457
atkinson@coloradomesa.edu
Dr. Monte Atkinson has been Director of Choral Activities at Mesa State College, now Colorado Mesa University, Grand Junction, Colorado, since 1985, where he leads an active choral area, oversees choral music education, and conducts the Colorado Mesa University Concert Choir and Chamber Choir. Choirs under his direction have performed with the Denver Chamber Orchestra, Mexico National Symphony, Vancouver Symphony, annually with the Grand Junction Symphony Orchestra, and the Colorado Mesa University Symphony Orchestra. He has conducted the Colorado Mesa University Chamber Choir in performance throughout the United States and Canada, Europe and Great Britain.
Dr. Atkinson continues to serve as Artistic Director and Conductor of the Western Colorado Chorale, a 45-voice semi-professional choral ensemble he founded in 1985. The Western Colorado Chorale's concert series showcases choral and solo repertoire of great diversity, highlighted by their annual masterworks in which they are joined by the Grand Junction Symphony Chamber Orchestra. In addition, as chorusmaster for the Grand Junction Symphony Orchestra, Dr. Atkinson has prepared many of the great choral works for the symphony's annual masterworks concert. Prior to his appointment at Colorado Mesa University, Dr. Atkinson served on the choral faculty at the University of Tennessee-Knoxville. An accomplished pianist, he holds a Bachelors degree in choral music, piano and strings from Utah State University. His Masters in Choral Conducting and Doctorate of Musical Arts in Choral Music were earned at the University of Illinois at Urbana-Champaign. In 1999 Dr. Atkinson was honored as the recipient of the Distinguished Faculty Award at Mesa State College. In February, 2008, Dr. Atkinson will make his first appearance as guest conductor at Carnegie Hall of the New England Symphony and Festival Chorus, which includes the Mesa State College Chamber Choir and Western Colorado Chorale. A long-time member of the American Choral Directors Association, Dr. Atkinson is married to flautist Gail Patten Atkinson, and continues to be in demand as an adjudicator, clinician, and guest conductor.

MPAC 111
970.248.1960
jdelmore@coloradomesa.edu
Dr. Jack Delmore holds a Masters of vocal performance from the New England Conservatory of Music, and a Doctorate of Musical Arts from the University of Arizona, Tucson. He is currently a professor of music/voice & vocal performance at Colorado Mesa University in Grand Junction, Colorado.
Dr. Delmore has performed such diverse chamber works as Britten’s CANTICLES, WINTER WORD’S, Schumann’s DICHTERLIEBER, Faure’s LA BONNE CHANSON, and Poulenc’s TELLE JOUR TELLE NUIT. He has also studied and performed the Russian repertoire of Tchaikovsky, Rachmaninov and The Mighty Five as well as more obscure early 20th-Century American and British art song.
Dr. Delmore is a frequent soloist with the Grand Junction Symphony and the Western Colorado Chorale, Casper, Wyoming Symphony and the Tucson Masterworks Chorale. He has been a frequent tenor soloist with these organizations performing such works as Bach’s, B MINOR MASS, Verdi’s REQUIEM, CARMINA BURANA, Beethoven’s 9th Symphony, and THE CREATION and MESSIAH. Dr. Delmore also premiered the chamber opera, IN THE SHADOW of the GLEN, by acclaimed American composer, Nancy Van de Vate – in 2001, he traveled to Vienna and Bratislava to record this same work.
As a full professor at CMU, Dr. Delmore frequently serves two active departments, Music and Theatre and has directed and/or coached many musicals, operettas, and, as of late, operas. For example, he has directed THE PIRATES of PENZANCE, MY FAIR LADY, JOSEPH and the AMAZING TECHNICOLOR DREAMCOAT, SHE LOVES ME, GUYS and DOLLS, THE MIKADO, NO, NO, NANETTE, JESUS CHRIST SUPERSTAR, Sondheim’s ASSASSINS, KISMET, and Purcell’s DIDO and AENEAS and Menotti’s, AMAHL and the NIGHT VISITORS. More recently he directed Gilbert & Sullivan’s charming fairy-tale operetta, IOLANTHE, and Samuel Barber’s, A HAND of BRIDGE and Gian Carlo Menotti’s, THE TELEPHONE, and Britten’s, NOYE’S FLUDDE (Noah’s Flood). In the Spring of 2009 Dr. Delmore directed CMU’s first fully staged opera, Mozart’s delightful singspiel, THE MAGIC FLUTE to rave reviews.
Dr. Delmore has also served as Chair or Co-chaired MSC’s Lectures & Forum Committee for almost ten years, which has sponsored countless guest lectures and special events in all disciplines and areas.

MPAC 109
970.248.1791
Carol Ann Niles, soprano, received her Bachelor of Music Education from St. Mary College (Kansas), and her graduate studies were at Miami University (Ohio). She was a member and soloist with Denver's Classic Chorale and performed often with the Denver Symphony Orchestra. While living in New Zealand, she recorded for the N.Z. Broadcasting Corporation. Ms. Niles has been on the voice faculty at Colorado Mesa University since 1979 and performs frequently with the Grand Junction Symphony Orchestra as well as the Western Colorado Chorale. She has sung numerous lead roles in both oratorio and opera. Ms. Niles maintains a large private voice studio and teaches Class Voice and directs the Women's Chorus at Colorado Mesa University. She was a member of the voice faculty at the Corsi Internazionali di Musica summer music program at the University of Urbino, Italy for four years. Ms. Niles is currently serving as the President of the National Association of Teachers of Singing (NATS) for the Colorado and Wyoming region. NATS is the largest association of singing teachers in the world and provides support and educational opportunities to university, college and private voice teachers.

Kathleen Ruhleder has appeared as a soloist with the Phoenix, Tucson, Mesa and Scottsdale symphonies, and with The Phoenix Chorale, The Valley Art Chorale (Phoenix) and The Valley Chamber Chorale (Phoenix). As a member of the Phoenix Chorale for ten seasons, she sang on the Grammy Award-winning Spotless Rose CD, and participated in tours across the United States. Ms. Ruhleder was a member of the Arizona Opera Chorus and the Phoenix Opera Chorus, and served as the Phoenix Vice Steward for the American Guild of Musical Artists. Ms. Ruhleder has performed in three school tours with the Arizona Opera Outreach Program, and performed several operatic roles with ASU’s Lyric Opera Theatre. She has also been an active performer of Broadway repertoire. Her favorite rolls have included Domina in A Funny Thing Happened on the Way to the Forum (Arizona Broadway Theatre), The Mother/The Witch in Hansel and Gretel (AZ Opera Outreach) and The Mother Abbess in The Sound of Music (Broadway Palm West, 2005 and 2011). Ms. Ruhleder is a graduate of California State University at Northridge and Arizona State University, and teaches voice at Colorado Mesa University.

Dr. Christopher McKim, B.M. –Vocal Performance, Wichita State University; M.M. – Music Theatre, Arizona State University; and D.M.A. – Vocal Performance and Pedagogy, University of Colorado-Boulder, is currently an instructor of Voice at Colorado Mesa University. There he also directs Opera scenes and does some music directing for the Theatre department. He has previously been the head of the voice area at the University of Puget Sound, and has been a member of the vocal faculty at Metropolitan State College in Denver. While in Denver he also performed with St. Martin’s Chamber Choir. In Grand Junction he has performed with the Western Colorado Chorale, High Desert Opera, Creative Avenues Theatre Project, and has Music Directed at Grand Junction High School.
Dr. McKim has performed and trained extensively in Music Theatre, enjoying well over thirty different professional productions. He enjoys working in the various styles of Musical Theatre; performing shows by Jerome Kern, Gershwin, Cole Porter, standards by Rogers & Hammerstein, and Frank Loesser, as well as more contemporary works such as Forever Plaid, Secret Garden, Cats, and Tom Alonzo’s Phantom of the Opera. Since Musical Theatre continues to develop stylistically, Dr. McKim considers himself a continuing student of musicals: learning, performing, and teaching as new shows are written.
An experienced interpreter of Opera and Operetta, Dr. McKim has performed in France with the Lyrique en Mer festival at Belle-Ile, as well as opera companies in Colorado, Arizona, Kansas, and Maine. He has performed operatic stage works ranging from Monteverdi to Mozart as well as many contemporary works. Some highlights include the Mozart roles of Papageno and Figaro, and premiers of two American operatic roles: Billy Blythe (Bill Clinton) in the opera Billy Blythe by Bonnie Montgomery and Florentino Ralston in Sara McKinnon by Mark Medoff and Randall Shinn. Dr. McKim also performs extensively in the genre of operetta, and holds a great fondness for the shows by Gilbert & Sullivan – particularly The Mikado, Patience, and The Gondoliers.
When not on the stage, Dr. McKim is an accomplished recitalist and concert singer. His recitals cover a wide variety of literature, but he is most dedicated to presenting Romantic German Lied and the art songs of 20th century American and British composers. He often sings in concert, having performed the Requiems of Faure and Brahms, and Orff’s Carmina Burana among others.
Dr. McKim truly enjoys the creation and sharing of art that is teaching. He was honored by the National Association of Teachers of Singing (NATS) when he was included in their Teaching Intern program, working under master–teacher Donald Simonson. Dr. McKim also works with students and colleagues though stage directing or music directing. He has directed numerous successful productions of full shows and scenes programs. Educational outreach is an important part of Dr. McKim’s mission. He has appeared in over 75 performances of full “childrens operas” such as Hansel & Gretel, Little Red Riding Hood, and Help, Help the Globolinks!. During his three years as a member of Central City Opera’s Education and Outreach program he performed for thousands of schoolchildren throughout Colorado. He frequently presents master classes and workshops for High School and College age performers. He is available for master classes, adjudicating, pre-competition screening, and workshops on coping with stage fright and stage presentation skills.